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ENCONTRO BRASILEIRO CONFERENCE SCHEDULE |
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| 9:00 | Walter Clark, CILAM director, University of California, Riverside Welcome |
| 9:10 | Rogerio Budasz, conference coordinator, University of California, Riverside Zealous Clerics, Mischievous Musicians, and Pragmatic Politicians |
| 10:00 | Marcelo Campos Hazan, Columbia, South Carolina Music and Sociopolitical Instability in Rio de Janeiro during the Regency Period (1831-1840) |
| 10:50 | Cristina Magaldi, Towson University Race, Aesthetics, and Brazilian Music Historiography |
| 11:40 | Carlos Sandroni, Universidade Federal de Pernambuco Samba and the Race Issue in Brazil |
12:10 |
Lunch Intermission (Arroyo Vista Cafe) |
| 1:10 | Carlos Palombini, Universidade Federal de Minas Gerais Eduardo das Neves sings George W. Johnson, Carmen Miranda sings the favela, 2 Live Crew engenders funk carioca: Issues of Ethnicity in Brazilian Popular Music of the 1910s, 1930s and 1990s |
| 2:00 | Darien Davis, Middlebury College Transnational Blackness and the Globalization of Brazilian Popular Music |
| 2:50 | Frederick Moehn, Institute for Ethnomusicology-Music and Dance, Universidade Nova de Lisboa Race, Ethnicity and Difference in a Contemporary Carioca Pop Music Scene |
| 3:40 | Coffee Intermission |
| 4:00 | Ron Conner, University of California, Los Angeles Erasing and Re-racing the Beat: Rhythmic Change meets the Afro-Brazilian Paradox in Maracatu Cearense |
| 4:50 | John Murphy, University of North Texas Rethinking Race and Ethnicity in Brazilian Music and Jazz |
| 5:40 | Concluding remarks ROOM CHANGE: CHASS Interdisciplinary Building South . Screening Room 1128 |
| FILM | CHASS Interdisciplinary Building South Screening Room 1128 |
| 8:00 | Walter Clark Vulgar Negroid Sambas': Issues of National Identity, Race, and Gender in That Night in Rio, with Carmen Miranda |
| 8:20 | Feature film presentation: That Night in Rio with Carmen Miranda |